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Please enable JavaScript on your browser to best view this site. Anytime Fujifilm releases a new camera, we can look forward to many of the updated specs and features being populated into future models, and in many cases, with already current models via firmware updates. Just as the X-Pro 2 introduced the 24MP sensor and the much faster X-Processor Pro image processing circuitry, both of which were eventually rolled into the X-T2, now we have the same thing in reverse.

Fujifilm has taken nearly all of the advancements that were introduced in the X-T3 last year and rolled them into the much anticipated X-Pro 3which was unveiled last week at PhotoPlus Expo.

fuji xpro3

Built with the same Essentially, the X-Pro 3 has the same low light performance, the same 2. In addition, the X-Pro 3 now has the radically updated electronic shutterand everything that goes with that. This means the X-Pro 3 will fire at up to 11 fps with the mechanical shutter, and up to 30 fps with the electronic.

In other words, X-Pro shooters now have a immensely powerful machine that allows them to capture a wide range of difficult and challenging scenes and push their creativity, just like the X-T3 shooters have enjoyed for the past year.

One notable change to the body, though, is that, like the X-E3, the X-Pro 3 does not have the four Thumb Pad buttons on the back of the camera. This gives the back of the camera a much more clean design. The most obvious thing is that the main LCD screen is gone. Well, not gone, just hidden. The LCD screen is now reversed, and instead of being visible all the time, you must flip it down to see it. Note: There is some misconception online that the LCD only flips halfway down. It actually flips degrees, all the way down.

fuji xpro3

It does not stop at 90 degrees. It allows you to choose between using a bright, clear optical viewfinder, or an improved 3. Or, you can combine both and display a small EVF screen in the bottom corner of your optical viewfinder so you can get a Live View of your scene and check for precise focus or see the effects of your chosen film sim.

In place of the back panel LCD screen, Fuji included a second Sub Monitor screen, which give you two different functions. This harkens back to the film days when you tore off the label on the box of film you were using and slipped it into the dedicated slot on the back of the camera. This allowed you to quickly and easily see what film was currently loaded inside the body. This is such a cool design touch. I absolutely love this feature, mostly because it brings me back to those days when I shot film myself.The X-Pro1 marked the birth of the Fujifilm interchangeable-lens series.

I remember it quite well because from the start, it provided a unique user experience thanks to its hybrid viewfinder and retro style dials the same concept as the X series that began one year earlier.

Then came the X-Pro2 which, in addition to inaugurating the third-generation sensor and processor, also brought important upgrades in image quality and autofocus performance. Seven years after the beginning of the interchangeable-lens X-series, the X-Pro3 arrives. This time it comes after other cameras of the same generation, the popular X-T3 and X-T30, which offer advanced video capabilities.

The X-Pro series may not sell as well as the other two, but it has held on to a faithful audience that appreciates the unique shooting experience more than technical specifications. In this comparison preview, we take a look at the major improvements the X-Pro3 brings compared to its predecessor, the X-Pro2.

We were not asked to write anything about these products, nor were we provided with any sort of compensation. Within the article, there are affiliate links.

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If you buy something after clicking the link, we will receive a small commission. Thank you! The X-Pro3 inherits the fourth generation X-Trans sensor with It shares these specifications with the X-T3 and X-T We compared these two sensors and image processors when testing the X-T2 and X-T3 side by sideso you can expect to see the same results with the X-Pro2 and X-Pro3.

Over the years, the company has introduced a new profile with each generation of camera. Classic Neg is the latest addition. According to Fujifilm, it is designed to emulate colour negative film used for everyday shots with rich chromatic contrast. The X-Pro3 also has the Eterna profile, which is designed for video and colour correction in post. All the other Film Simulation modes are the same on both cameras. The first is Black and White adjustments.

Then we have Clarity and Tone Curve adjustments which are brand new to the X-series. To do something similar on the X-Pro2, you need to work with the contrast, shadow and highlight settings. The Grain Effect can be adjusted with two new parameters, Size and Strength, which means you have more control over how the grain appears in your image. On the X-Pro2 there are Strong and Weak options only. When activated, it produces deeper colours and tonal gradations.

Fujifilm has added a new Colour Chrome Blue mode to improve vividness in the blue tones of an image. Both cameras share a number of extra features like an intervalometer, RAW conversion and Bracketing just to name a few. Another function they both have is Multiple Exposure, but Fujifilm has enhanced this feature on the X-Pro3 by adding more settings.

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You can combine up to 9 frames and choose a merging mode between Additive, Average, Comparative Bright and Comparative Dark.

Then we have a brand new feature called HDR. It takes multiple shots with different exposures to capture more dynamic range than the single frame. This specific function is nothing new in the digital camera world but is a first for an X-series model. Fujifilm has advertised this by saying that it uses computational photography software processing similar to what modern smartphones do to create a natural looking result.

Another special function you will only find in the X-Pro3 is Focus Bracketing, and the new camera gets an additional option: once you set the closest and furthest focus point, the camera can automatically select the number of frames to capture based on the aperture and focal length used.

The X-Pro3 features the latest hybrid autofocus system. It has points that can be subdivided into with certain settings, just like the X-T3. Having phase detection points across the entire surface of the sensor is useful when tracking erratic subjects that are difficult to keep at the centre of the frame.Aimed at street, reportage and wedding photographers who prefer a rangefinder format, the X-Pro3 uses exactly the same At the heart of the XPro3 is the Advanced Hybrid Viewfinder, which boasts a number of improvements over the previous version, and a tilting LCD touchscreen that is actually closed against the body during shooting to promote greater use of the viewfinder.

There's also an innovative new sub-LCD monitor embedded within the back of the LCD screen which lets you see certain key settings, including the currently selected Film Simulation mode. The XPro3's camera body incorporates titanium top and bottom plates for greater durability, and Fujifilm are also offering the new camera in a special Duratec finish that is even more durable and scratch resistant than the standard painted black version.

fuji xpro3

There are no kit lens options available at launch. At first glance, the new X-Pro3 looks very similar to both the three-year-old X-Pro2 and the original, 6-year-old X-Pro1, proving that Fujifilm got a lot of things right way back in Peer a little more closely, though, and you'll see that there have been some subtle and not so subtle tweaks to the exterior of the new camera, most notably to the radical new rear LCD screen.

It's also all change internally, with the X-Pro3 adopting Fujifilm's latest As you'd expect, the Fujifilm X-Pro3 once again retains the same classically styled design that recalls film rangefinders from the past, with the viewfinder positioned on the far left, rather than in the centre as on the X-T3, and a flat, hump-less design on top.

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As a reminder, the XPro3 has an electronic viewfinder and an optical viewfinder. Fujifilm have also cleverly implemented an integrated prism for the electronic viewfinder onto the optical viewfinder, with the latter able to show the shooting frame and a variety of shooting data.

So you get a large, bright optical viewfinder which shows a bigger area than what the camera actually captures when you take a photo, useful for seeing when moving subjects are about to enter the frame, overlaid with useful information including exposure compensation, shutter speed, aperture, focusing distance scale, an electronic level and histogram there are 14 options in total - even the focusing point is highlighted! Additionally, it also now features the same Electronic Rangefinder ERF mode from the X series, where a small electronic viewfinder is overlaid on top of the optical viewfinder, which can be used to check focus, the angle-of-view, exposure and white balance in real-time.

The default Full mode does what its name suggests and displays an uninterrupted view of the scene with all the settings information displayed outside the frame so that you can really concentrate on your subject. Normal provides an optimum view, including the shooting settings. Finally, the displayed settings in the Full and Normal modes automatically rotate when the camera is held in a portrait orientation.

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In the Boost mode, the new Smoothness Priority option inserts a black frame between each of the regular frames at fps, giving an equivalent refresh rate of approx. This option is recommended when capturing fast moving, erratic subjects.

Fujifilm X-Pro3 review

The Fujifilm X-Pro3 has a new, clearer optical viewfinder with less distortion than the one on the X-Pro2. It also features a higher eyepoint of 17mm and a larger angle of view of 27 degrees that should please glasses wearers. The OVF now has a fixed 0. In practice, this makes it harder to use a wide-angle lens on the new X-Pro3 than on the X-Pro2 when using the optical viewfinder, especially when focusing at infinity, whilst longer focal lengths result in tiny framing lines that are too small to use reliably.

The Bright Frame Simulation function allows you to simulate the angle of view of each focal length without having to replace the lens, so you can change lenses more accurately.

Perhaps the defining feature of the X-Pro3 is its LCD screen, not a sentence that we've ever felt compelled to write before in over 15 years of reviewing cameras.

Fujifilm X-Pro3 review: living in the moment, not a screen in sight

That's because Fujifilm have consciously made it more difficult to use, rather than easier, in a concerted bid to make you use the viewfinder more, and the LCD screen less, promoting the X-Pro3's appeal as a rangefinder camera for traditionalists.

The LCD screen is essentially hidden, as it's actually folded closed against the back of the camera for the majority of the time that you're using it - you can't actually rotate it to face outwards.

Instead, you have to flip it down via the hinges at the bottom, where the screen then sits below the bottom of the camera.

In practice, this makes the X-Pro3's screen only really suitable for waist-level shooting or when holding the camera at arms length above your head.

The design actively discourages you from chimping images, as you constantly have to flip the screen down to view them, then back up to carry on shooting. More seriously, using the X-Pro3 on a tripod is also something of a compromise, as the screen can only be flipped down by about 90 degrees before it hits the top of the tripod head.Has more charm been added to the Fujifilm X-Pro3 by introducing an unusual hidden screen? Michael Topham offers his verdict. Instead of a traditional rear display, the X-Pro3 has a sub-monitor at the rear.

Folding this sub- monitor down reveals the cameras 3in, 1. In years gone by its been the case that the sensor used in the X-Pro series has been inherited by the senior model in the X-T lineup. This changed in with the introduction of the X-T3, which became the first X-series model to feature the Those who love shooting with rangefinder-style cameras are likely to fall in love with the X-Pro3. This pairing has also seen the sensitivity range increase, albeit slightly. Although not designed for sport or high-speed action, the new processor allows the X-Pro3 to shoot considerably faster than before.

Compared to the X-Pro2, which could shoot at up to 8fps, the X-Pro3 can reach speeds of 11fps with the mechanical shutter, 20fps with the electronic shutter, or 30fps with a 1.

The shutter lag 0. The function button within it Fn2 it can be customised from the main menu. An overhead view of the X-Pro3.

The shutter speed dial features a central lock button to prevent it being shifted by accident. Raising the outer portion of the dial and turning it adjusts the ISO value, which is displayed in a small window. Again like the X-T3, the X-Pro3 has as many as 2. Another area where we expect the X-Pro 3 to perform exceptionally well is its low-light focusing, with a supremely impressive focusing range that reaches as low as -6EV. So what else is new?

The X-Pro 3 introduces high dynamic-range shooting that blends together three shots in-camera as well as an advanced multiple exposure mode that can combine up to nine frames.

Film Simulation modes, which include Classic Chrome, Arcos and Eterna are also joined by a new Classic Neg mode that simulates colour negative film that was traditionally chosen for snapshots of everyday scenes. It can be changed from the menu to display common shooting settings such as shutter speed and aperture. Anyone familiar with the X-Pro2 will be aware that Fujifilm decided to leave out 4K video in an effort to target the camera more towards serious stills photographers.

This time 4K video is included, albeit not to the same broadcast quality as the X-T3.Fulfillment by Amazon FBA is a service we offer sellers that lets them store their products in Amazon's fulfillment centers, and we directly pack, ship, and provide customer service for these products. If you're a seller, Fulfillment by Amazon can help you grow your business. Learn more about the program. Your question may be answered by sellers, manufacturers, or customers who purchased this item, who are all part of the Amazon community.

Please make sure that you are posting in the form of a question. Please enter a question. Something different is here. This camera turns anticipation into reality. The texture of titanium stimulates your senses, while the unique viewfinder prompts discovery and creativity.

It brings back the desire to interact with the world through a camera, while attaining an understanding to record it as your own for eternity. The X-Pro3 is the definition of pure photography.

The X-Pro3 design means you can keep your eyes focussed on the subject while your fingers access the various buttons and dials to ensure that you never miss a perfect photo opportunity. This is the ultimate design for analog camera operation.

From the start, the X Series has made sure to preserve the elegance, beauty and functionality of a camera while making sure we respect the history of photography. Once you pick up this camera, you will feel this and enjoy the sense of nostalgia. The frame of the camera body is made from magnesium, while the top cover and the base plate, which are the parts exposed to the elements are made from corrosion resistant titanium.

The unique character of the titanium finish will never be lost. You quickly realize a camera is much more than just a photographic tool. A special Duratect coating has been applied to the camera to protect the camera from scratches while keeping the beautiful and unique texture of the titanium casing.

fuji xpro3

This means your beloved camera will never lose its prestigious look and feel. The DR Black colour is a combination of the bare titanium texture coupled with a dark finish that creates a unique look with a commanding aura.

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This gives the camera an elegance never before seen on a camera. The application of Duratect preserves the finish forever. Street photographers prefer to carry their camera on them rather than putting it in a bag, to make sure they are ready to capture those fleeting moments that will never exist again.

What they need is a compact, lightweight and reliable camera, allowing them to focus on capturing the world around them. The hidden LCD encourages a more traditional shooting style, asking photographers to concentrate on composing using the viewfinder. Of course, you can flip open the screen to check your images between shooting sessions, but in essence, the X-Pro3 wants you to trust your instincts as a photographer and shoot without the distraction of checking every image.

The LCD screen helps you to adjust the settings and find what needs to be improved, ready for next time. The LCD screen has an anti-reflective coating, a wide angle of view, and is able to display images with high contrast and natural colors, ideal for reviewing or composing images in bright daylight or low light. Digitally representation of film based visual effects are something only allowed for iconic photographic equipment. One of the best things about digital cameras is the EVF, it is the only way to see exactly how your settings will change the end result.Fuji did some sort of pre-announcement presentation sometime last week, which was followed by the online photography press exploding with news and pictures of a camera that seemed to cause a disproportionate amount of disgust.

Of course, Fuji are known for breaking the mould a little bit once in a while. I remember and bought when the X was first released — it was one of the most interesting cameras any of the bigger manufacturers had dared to bring to market for a long time. It was a big success for Fuji too.

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From it was spawned the first X-Pro 1 — an interchangeable-lens pseudo-rangefinder camera that I suspect was an even bigger hit than the X I bought one of them too. From the X-pro 1 then came and entire system of cameras that has been vastly built upon over the years since. As I talk about in that review, the simple original concept had been over-complicated with a stack of extra, largely superfluous functions — and with all the extra function there was a huge increase in buttons, controls and other ways the user could interface with it.

Whilst this is true, I feel quite strongly that these opinions missed the point I was trying to make. The original design concept provided a niche group of photographers with a set of limitations that would work for them, the latest one tried to make that inherently limited concept offer something for everyone.

By making the choice to add a proverbial kettle, toaster and microwave with built-in-grill to the X design — at least in my opinion — Fuji had lost touch with the concept and lost their way a little when it came to their own original design philosophy. Which is exactly why I am so pleased to see them bringing out a camera like the X-Pro 3.

In addition to the main screen, there is also a little secondary screen that shows various camera settings, including a film emulation type display. To shoot using live-view with the primary screen on the back, you have to fold it out. This means it can either be used as a waist level finder, or if you wish to use it at eye level, the screen awkwardly hangs below the camera.

As such, to use the camera comfortably at eye level, you need to use the viewfinder. Of course — especially in the DPReview comments section — this idea has been lambasted beyond reason. There is some positivity there, but in the main, the comments are really quite negative, and this is even before the camera has been officially announced, never mind widely used.

I think what Fuji have done is innovative, interesting, and actually quite brave. There is, admittedly, a bit of a gimmicky element to it — the secondary screen showing the film emulation type has been done in such a way that it imitates the little slots in film cameras that allowed people to tear off a bit of the film box and slot it in as a reminder of what film was in the camera.

This is why the comments section of DPReview has erupted. So why is it that Fuji get so heavily lambasted for trying something different? It has pushed and pushed the bigger, better, faster sales tactic for so long that the consumer has bought into the ideal wholesale. The average consumer seems to have arrived at a point in their mentality that every camera released needs to be the perfect fit for every photographer and possible usage case out there.

In many other walks of life innovation, variety and choice are at very least prized if not essential — yet in camera design, manufactures push and are pushed to make the same do-everything boxes, so have largely run out of ideas that actually help sell the things. You listening Fuji?? A Fuji X without a screen or even one like this new X-Pro and about 10 less buttons would be a great addition your line up — make it happen, yeah — you might even find yourself welcoming curmudgeonly me back to the fold….

The more people chuck me a small amount of cash each month, the more time I can spend building and improving upon it - simple as that!Fujifilm has never been afraid to create unusual cameras, with the fixed-lens XF compact being a great example.

However, Fujifilm has now taken the idea of being "in the moment" to a new extreme with the rear display. Under normal use, you can't even see it to compose or check photos. Instead, it shows either your camera settings or the type of film simulation and ISO, like an old-school film camera. Besides that, it shares the sensor and a lot of other features with the X-T3so why not just get that camera instead? To find out what makes the X-Pro3 so unique, let's take it out into Paris to see what it can do.

On the one hand, it has a stylish, bullet-proof body with lots of manual controls. That also makes it very impractical for video, even though it can handle 4K. On top of that, the optical rangefinder will be tricky for many folks to use and learn. Best of all, you can take great photos with it and the film simulations are wonderful. With a boxier design, it actually looks like Leica's iconic M-series rangefinders. It's certainly a beautiful camera, and I can see why Fujifilm went with that look.

It conveys an artistic intent while being very low key, so I never got hassled while taking candid shots. It weighs the same as the X-T3 at 1.

The model I tested lacked that coating, and as a result, those plates really attracted fingerprints. Fujifilm has tidied up the design since the X-Pro2, eliminating the viewfinder mode button and the four-way controller.

As the X-Pro3 has a joystick, the latter was kind of redundant, so I didn't miss it.

The Fujifilm X-Pro 3: Marvellous or Mistake?

It still has four manual dials and plenty of other physical buttons that gave me excellent control over shooting and settings. You can have one set to backup mode for mission critical photography, or you can use one slot to capture photos and the other, video. Battery life is decent but not great, with shots per charge using the electronic viewfinder EVF according to official CIPA ratingsbut you can boost that considerably to shots if you switch to the optical viewfinder.

After using it for both videos and photos, I managed to burn the battery out in a single afternoon. For normal use, though, you'll probably get many more photos than the rating would suggest. The hybrid optical viewfinder is one of the unique features on the X-Pro3. In EVF mode, the back cover closes and it works like any other modern camera with a nice-clear 3.

It's in optical mode where things get weirder. It has a fixed 0. That has changed from the last model, which had two separate magnification modes 0. Speaking of features that don't make sense at first, take that rear display. In normal use, it shows either your camera settings or the ISO and film simulation modes, just like an old-school film camera. To see what you're shooting, you have to flip it down, and no, it can't flip around for selfies.

So you can really only use it for waist-level shooting. Again, why? Fujifilm figures that displays are a distraction and wants you to use the viewfinder. For waist-level shooting, you can flip it down to confirm your composition. Street photographers do shoot like this, as I learned by tagging along with one.

Fujifilm X-Pro 3 Hands on First Impressions

And I actually did get better shots this way. The X-Pro3's excellent performance helps that along.